Soulpepper’s yearly City Youth Academy is a paid, intensive program, providing 10 young people (ages 16-19) with performance training, led by Soulpepper Artists. The young artists have five weeks of artistic skills training and development, and are paired with an Artist Mentor from Soulpepper’s artistic company. Over the course of the program, their instruction includes scene study, devised creation, and training in movement, music, ensemble, writing, rehearsal and performance. The program is designed to inspire personal creativity, artistic discipline, and to support young artists in the development of their own artistic practice.
This is one day in the life of the 2017 City Youth Academy:
Photo Diary by Soulpepper Marketing Intern Mia Tionko, recorded onsite at the Young Centre for the Performing Arts in August, 2017. Visit Soulpepper.ca/youth for more information.
April 15th marked one year since the final audition stage for the 2016-2018 Soulpepper Academy. There were 30 of us, from across the country, selected from 1400 applications and 400 auditions! Most of us barely knew each other at the time. We were genuinely interested in getting to know each other, oh so polite, and annoyingly courteous. After 9 challenging, exhaustive months (working together) those sentiments have pretty much all gone. We know far too much about each other, and are constantly challenging and teasing one another. Recently, a Soulpepper company member referred to us as a “family” because of how boisterous our energy is when we’re around each other!
As I mentioned, the past 9 months have been CRAZY BUSY! Here’s a rundown of some highlights:
- We explored speaking Shakespearean text, specifically Romeo and Juliet, with Albert Schultz
- We sung O Canada, from a boat, while people watched and instagrammed us on Toronto Island
- We explored Greek Tragedy, specifically The Bacchae by Euripides, with Alan Dilworth
- We participated in one of Soulpepper’s most successful fundraising events ever
- We explored Vocal Masque with Dean Gilmour, one of the founders of Theatre Smith-Gilmour
- We contributed skits, songs, and story time to the 2016 Winter Waves festival, the highest attended WWF ever
- We explored Chekhov, particularly Three Sisters and The Seagull, with Daniel Brooks and Diego Matamoros
- We collectively devised a number of pieces, using Chekhov as the launch pad
- We currently are exploring Commedia dell’arte with Marcello Magni, one of the founders of Complicite
With our first year quickly coming to an end I wanted to share some photos, to give insight into how we manage as a group.
To learn more about the Soulpepper Academy visit soulpepper.ca.
Michelle Tracy, Hunter Cardinal, Danel Mousseau , Ellie Moon & Rosamund Small, photo: Marcel Stewart. Christef Desir, Marcel Stewart, Daniel Mousseau & Hunter Cardinal, photo: Marcel Steward. 2016/2018 Soulpepper Academy, photo: Ryan Emberley. Ghazal Azarbad, Marcel Stewart & Hunter Cardinal, photo supplied. Daniel Mousseau, Ghazel Azarbad, Nicole Power, Christef Desir & Hunter Cardinal, photo: Marcel Stewart. Mumbi Tindyebwa Otu, Daniel Mousseau, Hunter Cardinal & Rose Tuong, photo: Marcel Stewart. James Smith, Marcel Stewart & Michelle Tracy, photo: Daniel Malavasi.
Donor history: I donated to Soulpepper at the end of 2016, and it was my first donation to the company. However, I have been donating to various charities since I was a child. Philanthropy, although it was never referred to as such, was encouraged and supported by my parents for as long as I can remember.
How did you first learn about Soulpepper/What is you first memory of Soulpepper?
I have a memory of an acting company formed by Canadian actors in Toronto; I had never seen a production by Soulpepper until we went with our nephew from France to see The Sunshine Boys in 2012.
My sister who lives in the Maritimes was actually a catalyst to sparking my interest in Soulpepper. She mentioned to me that there are so many opportunities in Toronto to see live theatre and other cultural events. She used to travel here once or twice a year to see a play.
What inspired you to support Soulpepper?
My wife and I became season subscribers last year and enjoyed the plays very much. I have a true sense of an acting company at Soulpepper with actors appearing in different productions. I am also impressed by the encouragement offered by Soulpepper to other companies such as the Storefront Theatre’s production of Chasse Galerie and Why Not Theatre’s A Brimful of Asha. Above all else, we have seen some amazing productions: Jitters, Happy Place, The 39 Steps, Spoon River, and Of Human Bondage just to name a few.
What would you tell someone who is thinking about giving to Soulpepper? And, why do you think the arts should be a priority for philanthropy?
Please donate now, don’t wait. The arts in Canada are underfunded so every little bit helps. Artists need a space and a place to express their creativity. Soulpepper nourishes that creativity through their many youth programs, the Soulpepper Academy, and their artist residencies. Plus Soulpepper is a not-for-profit theatre company.
How do you imagine Soulpepper in 10 years?
Extended footprint but still in the Distillery District.
More Canada-wide touring initiatives.
Well received in-house developed productions.
Albert continuing to sing and tour Frankly, Sinatra (as he does without the use of Old Blue Eyes’ teleprompter).